Ray Van Horn, Jr. is a veteran entertainment journalist whose writing and live photography has been featured in Blabbermouth.net, Dee Snider’s House of Hair Online, Fangoria.com, Horror News.net, About.com Heavy Metal, MetalManiacs, New Noise, Music Dish, AMP, Hails & Horns, Unrestrained,Noisecreep, Impose, Pit, The Big Takeover.com, Rough Edge.com, Pitriff and others. His blog The Metal Minute won a “Best Personal Blog” award in 2009 from Metal Hammer magazine and he wrote and produced his own hard rock e-zine, Retaliate.

He has contributed essays to UK author Neil Daniels’ Iron Maiden and ZZ Top biographies. Ray’s fiction has been published in various periodicals and anthologies, including his flash fiction piece “Off the Record” for Akashic Books’ “Mondays Are Murder” noir series. His recent short stories “Before the Ball” and “Widow” were featured in subsequent editions of Alex S. Johnson’s Axes of Evil anthologies. Ray wrote serialized original superhero fiction for Cyber Age Adventures and five of those stories appear in the anthology Playing Solitaire. He was the winner of Quantum Muse’s fiction contest in 1999.

Ray is a former NHL game analyst for The Hockey Nut and one-time host of the forum “Comic Books” at ReadWave. He has done beat reporting, photography and lifestyle articles for Metromix, an affiliate of The Baltimore Sun, Carroll Magazine, The Northern News and The Emmitsburg Dispatch.

Wednesday, December 24, 2014

Favorite Christmas Greeting From the Record Labels This Year

I get my share of cool Christmas greetings from friends, family and of course, the music industry.  Top honor from the latter goes to Germany's Kozmik Artifactz for this retro 1950's platter pool.  Love.

Merry Christmas, everyone!

Listenin' to:  Vince Guaraldi Trio - A Charlie Brown Christmas soundtrack

Sunday, December 21, 2014

Sunday Triple Play (Christmas Edition) - 12/21/14

It's been awhile since I've done a Triple Play here and frankly I've missed that.  However, I have a few minutes between cranking out album reviews for Blabbermouth and thought I'd post three of my favorite, offbeat Christmas jams.   No explanations needed, just cue 'em up, enjoy and look toward having a Merry Christmas, one and all.

Reverend Horton Heat - "What Child is This"

The Ramones - "Merry Christmas (I Don't Want to Fight Tonight)"

King Diamond - "No Presents for Christmas"

Saturday, December 20, 2014

Guest Writer: The Dream Diaries of Clive Barker, by Beth Kelly

As a first here at The Crash Pad, I'm pleased to present a guest writer, Beth Kelly, who recently approached me about horror films and writing.  Beth's enthusiasm for Clive Barker, one of the greats of modern terror lore, prompted me to invite her to pen her thoughts about Barker's works, namely those that have enjoyed commercial success as translated into the cinema and comics realms.

Please give Beth a hearty welcome!

The Dream Diaries of Clive Barker

Clive Barker transitioned from an unassuming English schoolboy who dabbled in theatre and story writing to one of horror's most prolific storytellers. As an accomplished author, illustrator and filmmaker, Barker has transcended tired macabre themes and erected an empire of fantastical sadomasochistic gore. Once referred to by Stephen King as "the future of horror," Barker's take on terror would turn the genre on its head.


After finding success as an author of gruesome literature, Barker decided to try his hand at filmmaking in his directorial debut, 1987's Hellraiser.  Based upon his novella "The Hellbound Heart," the film focuses on an innocuous puzzle box that opens the door to the Netherworld. In an era crowded with movie killers and monsters, Barker managed to be truly original. Unlike Carpenter's rugged style, or Craven's over the top maniacs, Barker's Cenobites presented a new take on terror rooted in religious mythology.

Starkly pale and visibly tortured, the Cenobites are contorted and elaborately decked out for assuming their backwards Christian personas. Their purpose is to dole out the punishments of Hell in a terrifying combination of pleasure and pain, a common theme in Clive Barker's work, along with a healthy dose of "paying for your sins." Pinhead, the lead Cenobite, is a Jesus-esque figure, complete with crucifixion imagery that holds the keys to eternity and a "just reward." The human victims are subjected to a nightmare of gore and brutality that sets this film far apart from its counterparts, yet is still classier and scarier than today's torture porn movies, of which Hellraiser was an obvious influence.


Barker's gravitation toward the visual aspects of terror continued in his cult classic, Nightbreed. Inspired both by H.P. Lovecraft and pop cultural references, Barker created a realm of vampiric undead.  In post-production, however, much of the original film was edited outside Barker’s wises. As a result, Nightbreed was initially released to critical disdain and commercial failure, but in the years since, the film has garnered greater respect from horror fans.  It has an established loyal cult following and can be watched online or even streamed on Amazon.

Based on Barker's novella, "Cabal," Nightbreed is a story caught between perceived reality and the forces of an underworld of creatures where a mentally ill man finds himself a member of the secret society of ghoulish outcasts. Though the things of nightmares, the monsters, interestingly enough, are not who the audience is meant to fear.  In the end, the bad guys are the decidedly creepy humans, while the nightmarish monsters still frighten, but come out the rightful winners.


Candyman could have been a simple ghost story about a woman suffering a haunting, but in the capable hands of the director Bernard Rose, this film became anything but that. Based on Barker's story, "The Forbidden," the film in an urban legend come to life. The "Candyman" is summoned by a woman who is from then on plagued by death after death. The story's genius is that it is unclear whether or not the "Candyman" actually exists: he could be just a ghost, a figment of the imagination, or a clever ploy by the woman to cover her own killing spree. Chicago’s old Cabrini-Green housing projects, where the majority of the film’s action takes place, provide a perfectly chilling backdrop. Considered one of the most original takes on the urban legend theme, Candyman questions the idea of perception and belief, another nod to religion.

In recent years, Barker's influence on horror has become more apparent. There have been many imitations and aspirations to reach Barker's level, but few have attained the raw, gritty feel of his work. Barker's legacy is one that elicits cold sweats and chilled bones, not with cheap frights, but with a horror that is honest, pure, and profound in its respect for what is truly worth fearing: the subconscious.

(c) 2014 Beth Kelly

                  (Ray is ) Listenin' to: Def Leppard - High 'n Dry

Tuesday, December 16, 2014

Up at Blabbermouth, my reviews of new digs by AC/DC, Sister Sin, Machine Head, Sanctuary, Bloodbath, Threshold and Krokodil.

    Listenin' to:  AC/DC - For Those About to Rock, We Salute You

Tuesday, December 9, 2014

Stand by...

Hang in there, readers!  More stuff coming atcha very shortly.

The holidays are in full swing, which has me on the run, but the bigger news is I've been invited to submit a novel I'm nearly finished writing titled "Watching Me Fall," so I'm devoting much of my extra time getting that completed for the prospective publisher.  It'd be a great way for me to ring out 2014 and kick off the new year.

In the meantime, I have reviews of the latest from Slipknot, Machine Head, Sanctuary, Mr. Big, Orange Goblin, Sodom and the expanded edition of Soulbender's debut album over at Blabbermouth.  I'm about to drop a review of the new AC/DC album, Rock or Bust very shortly, so keep dropping over there as you faithfully do here at The Crash Pad.

Cheers, yuletide and otherwise....

                          Listenin' to:  Radiohead - The Bends  

Thursday, December 4, 2014

Santa Claus... The Man... The Myth...

It's that time again!  My favorite Christmas t.v. spot of all-time.  Originally run in the late eighties on MTV, mostly during Headbangers Ball and 120 Minutes.  You know, when MTV was actually a music station.

                      Listenin' to:  Radiohead - OK Computer